Prince in the 90's
It’s been 10 years since Prince died of a fentanyl overdose. Fentanyl was also among the drugs that would kill Tom Petty in 2017. Johnson & Johnson, the company that invented fentanyl, paid 5 billion dollars to settle claims against it. Which is significatn, but it ain’t gonna bring back Prince, Petty, or any other of the hundreds of thousands of human beings killed by these drugs.
Just had to point that out. Anyway, Sign O’ The Times is one of the best albums ever, as is Dirty Mind. And of course “Purple Rain” is one of the best rock and roll songs ever recorded.
Prince’s output, ‘79-’88 has never been equaled by anyone, including him. In my humble opionion, he never again put out an album that holds up end-to-end as many of the albums from his Golden Age do, but he did release some absolute gems in the 90’s. (Maybe after then too, but I’m only one man! Somebody else is gonna have to do the 2000s). It’s easy to find places to start with Prince’s 70’s and 80’s output, but the 90’s is trickier, so I’m here to help!
(Note—I am not counting the B sides that were released on full length albums for the first time on 1993’s The Hits/The B Sides because most of those are from the 80’s. But I encourage you to check out “Horny Toad,” “Feel U Up,” “Erotic City,” and especially “She’s Always In My Hair.”)
What follows is 80 minutes of Prince goodness as curated by me. I will not assert that my list is definitive because people seem to really respond differently to Prince’s music—I was floored when a ton of people named “Adore” as their favorite of his songs after he died because that’s my least favorite song on Sign O’ The Times. But this is the stuff I like best.
Here’s a link to the Spotify playlist, and yeah, I know Spotify is evil, and I do buy new music on Bandcamp, but I’m not re-buying stuff I already own and I don’t know if there is ethical listening under streaming, but anyway, yeah, if there’s a streaming service that is less evil, let me know.
Endorphinmachine—Hard rockin’ party track that opens “The Gold Experience” I like the rockers, what can I say?
Gett Off—One of the things I love about Prince is that he was absolutely unafraid to be ridiculous. Which makes even his horniest songs strangely charming.
P Control—Prince’s attempt at a feminist anthem, which, okay, I’m not sure it works on that level, but it’s a fun song and finds its way onto my mental jukebox all the freakin’ time.
Prettyman—Prince gave most of the songs in this vein to The Time, so it’s fun to see him inhabiting the egotistical Morris Day-esque persona. Also this is funky as hell and Maceo Parker guests on sax!
Tangerine—Just a really pretty, melancholy little number.
My Computer—though it references outdated technology with the AOL sample, the idea of being lonely and looking for solace on the internet is still incredibly relatable. A duet with Kate Bush, but Prince doesn’t let her shine here.
Damned if Eye Do—Prince decided that each of the 3 CDs of the Emancipation album should clock in at exactly 60 minutes, which leads to some songs going on a little longer than they should, as this one does, but I still dig it.
In This Bed Eye Scream—Prince doesn’t do vulnerable all that often, (I’m not saying never—there are 2 more examples on this very playlist!) so I find this song about a guy who’s filled with sadness and regret over a breakup and seems to hold out some vain hope that it’s not all over particularly touching.
Face Down—a colossal fuck you to everybody who told Prince he couldn’t change his name to that symbol and who basically wrote him off. Also I love when he calls out “Orchestra!” and this cheesy synth riff responds.
Love Sign—I dunno—I’m sick of evil knocking on my door, so maybe I relate. Duet with Nona Gaye.
Cream—see horny, ridiculous, charming, above.
Calhoun Square—a real place in Minneapolis, apparently, but I love the idea of this kind of party utopia. c.f. Utopia’s “One World.”
Dolphin—lyrically revisits territory he covered in “I Would Die 4 U,” but the melody is irresistable, and this is one of my favorite Prince guitar solos.
The Truth—the best of the solo acoustic songs from the album of the same name. About mortality, and…some other stuff. I love the guitar riff and the vocal here.
Eye Love You, But Eye Don’t Trust You Anymore—Prince, piano, and acoustic guitar (courtesy of Ani DiFranco!). I was stunned by this when I first heard it because I think Prince usually hides behind a variety of personas, and this just seemed like a straightforward (and beautifully sad) song about a guy whose heart is breaking.
So Far, So Pleased—a new relationship seems to be going well. A fun, upbeat song with an irresistable guitar line. Also a duet with Gwen Stefani, which was a much cooler move in 1999 than it would be now.
Gold—I mean, look, yes, it’s clearly an attempt at another “Purple Rain,” and I guess it suffers a little bit in the comparison, but if you just take this as its own song, it’s a pretty groovy anthem. Also I like that he was still swinging or the fences in 1994.
Nothing Compares 2 U. Live duet with Rosie Gaines. I used to play this version for musician friends, and when Rosie Gaines’ mic is turned up at the beginning of her verse, they’d go, “wait, is this LIVE?” Yep. That’s just how incredibly tight the NPG was. But also a complete reimagining of the song that is completely different from Sinead O’Connor’s (also excellent) version.